The interwebs have been abuzz this morning with talk of the attack on agent Pam van Hylckama, allegedly by a writer whose work she'd rejected. (Pam is an agent-pal and I have no reason to doubt her story, btw, but I say "allegedly" because obviously we don't know all the facts in the case and presumably the investigation etc is ongoing and nobody has been found guilty, so. ANYWAY....)
Scary stuff, for sure. My initial reaction is, thank god Pam is ok, and seems to have no more severe injuries than a bruise (and some shattered nerves!) -- and her little dog deserves a huge reward. Hugs to Pam and family.
My second reaction is more selfish. How could this have been avoided? How, indeed, can I personally avoid a situation like this?
It's true that agents do get a lot of crap. I've had authors show up outside my house, authors drop off notes in my home mailbox or at the bookstore (with no postmark - in other words, delivered by hand) authors come talk to me while I am at an event or show up while I am working at the bookstore to ask for advice, authors follow me way too closely in conference hotels, and authors call me on my cell phone. All of which very much freaked me out, but always ended up just being genuinely nice but clueless people who I could explain "look, this is inappropriate" and they get it, or if they don't get it, they at least go away.
I've also certainly gotten my share of thoroughly weird queries and responses to rejections. The query for a thriller about a dude who kills literary agents comes to mind. (eep!) I do not respond to such queries, and I save them in a "In Case I'm Murdered" file. Yanno, to be on the safe side. I've had people snap back and accuse me of being racist or hating men, etc, when I reject them. But I myself have never gotten actual threats, thank god. And 99% of the many, many authors I interact with on a daily basis are delightful and non-freaky.
Let's be clear: The dude who attacked Pam is not a "disgruntled author." He's a CRIMINAL. I'm trying to avoid the obvious word, because I hate when people just say "he's crazy" - (is that a diagnoses, Doctor Internet?)... but the behavior is certainly crazy, whether or not the person is. If the allegations are true, he didn't attack Pam "because she rejected him" -- he attacked her BECAUSE HE HAS SOMETHING WRONG WITH HIM. And, though I don't know him personally and I am not trying to diagnose what that "something wrong" is, it's safe to assume he has emotional and/or psychological disturbances of some kind. This isn't really a case of "authors behaving badly" as it is "unbalanced individuals behaving erratically."
So what to do? Like most people, I try to keep my personal address and phone number off the internet (though strangers still find them with disconcerting regularity). I don't have phone or address on my business cards or website. I don't use 4Square or Facebook "check-in" apps. But still, like many people, I live my life online. I tweet or facebook about places I visit and things I do. And as a semi-public figure, where I work is common knowledge. Because I work all the time, it is easy to figure out where I am, pretty much all the time. Even if I unplugged completely, I still live in a small village, and if you know the name of the village (which is no big secret), you can find me - because I am usually visibly standing somewhere near the center of it! (Of course it is also no big secret that I have a dog who craves the taste of human flesh and would love to bite a stranger on my behalf, and honestly I pity anyone who breaks into my house, so I have little fear on that front.)
I guess the point is -- writers, agents, anyone who lives part of their life in public (which is an ever increasing number of people) -- ALL OF US need to be vigilant. ALL OF US need to watch how much info goes online, and use a certain amount of discretion.
Also, ALL OF US need to be considerate about personal space bubbles -- just as you wouldn't ask a stranger to examine you in line at the supermarket if you found out he was a gynecologist, don't creep around a literary agents house and wait for her to go outside to water the plants so you can ask her questions about your work. There's a time and a place. Don't be a creep.
But you can't really predict or protect against a stranger snapping on you. And you can't live your life in fear. I guess the most we can do is just be as nice as we can to each other?
What do you think?
Friday, September 14, 2012
Sunday, September 09, 2012
On Categorization
A couple of years ago I wrote The Big Ol' Genre Glossary. This blog post was intended to be "the last word" on the subject of genre identification, etc. Ha ha, is all I have to say to that.
As you might know if you ever go on internet writing fora, there are some genres and sub-genres that are just fuzzy, and there is a lot of overlap. Five different people might have five very different ideas about what constitutes "paranormal" versus "supernatural" versus "urban fantasy" versus WHATEVER. People can get very anxious about how to categorize their own work. I've had writers say to me, in tones of deadly earnestness, that they know agents will look for any reason to reject, and if they get the sub-genre of their own work "wrong," they will never be taken seriously and agents will hate them. That getting this bit of information "wrong" will be cause for an auto-reject.
Yes! Those terrible, dragon-like AGENTS. Always keen for any small reason to run writers through with a pike and roast them alive, the better for the feasting! Oh you didn't know we get younger every time a writer screams? Yes! Your agony is our elixir! Our blood is thrumming with your pain!
Oh, the guild tells me I was not supposed to say that last part aloud. Please strike it from the record. Also disregard the cackling. Now. In all seriousness.
For the most part... Agents are just people. People who love books, and who want to help facilitate the making of books. People whose job it is to advocate for authors. (That FOR is quite important!). We work with a lot of authors. We LOVE authors. We recognize that authors can sometimes be neurotic. We are not trying to drive authors crazy (or crazier, anyway).
This drama that the internet has cooked up about agents declining you because there was a typo in your query, or because you formatted an email query letter as a business letter complete with home address (or failed to do so), or double-spaced when you meant to single-space... or because you said "dark fantasy" when you meant "urban fantasy" or "paranormal" when you meant "supernatural"? Is just not true.
* First of all, as I mentioned, there is a lot of overlap, and different people have different definitions. If an agent was to decline your work based on that alone? They are not somebody you'd want to work with.
* Tying yourself in knots because of this kind of minutia may be keeping you from looking at the bigger picture, and at things that actually WILL cause agents to accept or decline your work. Things like having a killer pitch and tight, great, polished writing in the actual ms. This is truly what the agent cares about most.
* Some of the most interesting books defy easy categorization. If you have a book that is gorgeously written but also highly commercial, that is a GOOD THING. If as a genre it is something that lies on the crossroads between mystery, romance and fantasy (or whatever) -- that too is probably a GOOD thing, not a bad thing.
* If you have a magical story and you just call it "fantasy" I won't even blink an eye. The default "big category" of Fiction, SF/F, Mystery or YA is actually sufficient information. If you want to get more specific, that's fine. But if you go nuts with it and decide to make up a genre like "high-urban-splatter-steam-rotica"...well if it seems like you're joking, I'll chuckle. If it seems like you are being serious, I'll roll my eyes. But if the book sounds interesting, even that bit of silliness wouldn't stop me from continuing.
* IN fact I'll go further and contend that "overcategorizing" is self-limiting. If you've written what you consider to be "high-urban-splatter-steam-rotica"... you'll never find an agent who reps that, no matter how much research you do. If you consider your work a "Steampunk inspired paranormal-mystery" you might find a couple of agents who rep all of those categories. But if you just call it FANTASY, wow, suddenly you have a ton of potential people to query, and you can pick and choose who seems like might be the best fit from this larger pool.
* So sure, absolutely, give categorizing your best shot. But if you find yourself freaking out over which sub- or sub-sub-genre your work falls into, understand that this is of little concern to agents at the query stage. They care that the story sounds cool and the writing is excellent. And that is where you should be putting your energy.
As you might know if you ever go on internet writing fora, there are some genres and sub-genres that are just fuzzy, and there is a lot of overlap. Five different people might have five very different ideas about what constitutes "paranormal" versus "supernatural" versus "urban fantasy" versus WHATEVER. People can get very anxious about how to categorize their own work. I've had writers say to me, in tones of deadly earnestness, that they know agents will look for any reason to reject, and if they get the sub-genre of their own work "wrong," they will never be taken seriously and agents will hate them. That getting this bit of information "wrong" will be cause for an auto-reject.
Yes! Those terrible, dragon-like AGENTS. Always keen for any small reason to run writers through with a pike and roast them alive, the better for the feasting! Oh you didn't know we get younger every time a writer screams? Yes! Your agony is our elixir! Our blood is thrumming with your pain!
Oh, the guild tells me I was not supposed to say that last part aloud. Please strike it from the record. Also disregard the cackling. Now. In all seriousness.
For the most part... Agents are just people. People who love books, and who want to help facilitate the making of books. People whose job it is to advocate for authors. (That FOR is quite important!). We work with a lot of authors. We LOVE authors. We recognize that authors can sometimes be neurotic. We are not trying to drive authors crazy (or crazier, anyway).
This drama that the internet has cooked up about agents declining you because there was a typo in your query, or because you formatted an email query letter as a business letter complete with home address (or failed to do so), or double-spaced when you meant to single-space... or because you said "dark fantasy" when you meant "urban fantasy" or "paranormal" when you meant "supernatural"? Is just not true.
* First of all, as I mentioned, there is a lot of overlap, and different people have different definitions. If an agent was to decline your work based on that alone? They are not somebody you'd want to work with.
* Tying yourself in knots because of this kind of minutia may be keeping you from looking at the bigger picture, and at things that actually WILL cause agents to accept or decline your work. Things like having a killer pitch and tight, great, polished writing in the actual ms. This is truly what the agent cares about most.
* Some of the most interesting books defy easy categorization. If you have a book that is gorgeously written but also highly commercial, that is a GOOD THING. If as a genre it is something that lies on the crossroads between mystery, romance and fantasy (or whatever) -- that too is probably a GOOD thing, not a bad thing.
* If you have a magical story and you just call it "fantasy" I won't even blink an eye. The default "big category" of Fiction, SF/F, Mystery or YA is actually sufficient information. If you want to get more specific, that's fine. But if you go nuts with it and decide to make up a genre like "high-urban-splatter-steam-rotica"...well if it seems like you're joking, I'll chuckle. If it seems like you are being serious, I'll roll my eyes. But if the book sounds interesting, even that bit of silliness wouldn't stop me from continuing.
* IN fact I'll go further and contend that "overcategorizing" is self-limiting. If you've written what you consider to be "high-urban-splatter-steam-rotica"... you'll never find an agent who reps that, no matter how much research you do. If you consider your work a "Steampunk inspired paranormal-mystery" you might find a couple of agents who rep all of those categories. But if you just call it FANTASY, wow, suddenly you have a ton of potential people to query, and you can pick and choose who seems like might be the best fit from this larger pool.
* So sure, absolutely, give categorizing your best shot. But if you find yourself freaking out over which sub- or sub-sub-genre your work falls into, understand that this is of little concern to agents at the query stage. They care that the story sounds cool and the writing is excellent. And that is where you should be putting your energy.
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